#interviews

Norwegian start-up Spoor will test its artificial intelligence solution for integrating offshore wind farms and nature for a year at the Baltic Eagle site. Thanks to computer vision, Spoor will help us to better understand the impact of our project in the Baltic Sea on the behaviour of migratory birds

Four pillars underpin Iberdrola's supplier evaluation model: ethics and transparency, sustainability, risk management, and technical and quality requirements. The Director of Purchasing Services explains the keys that have led them to become the first organisation to achieve the AENOR Sustainable Purchasing certificate.

Spanish start-up SubSea Mechatronics (SSM) is working, in collaboration with Iberdrola, on the development of a submersible ROV capable of travelling through the cooling pipes of our thermal power plants, providing positioning and visual documentation for inspection and cleaning accumulated sediments or biofouling that hinder the correct flow of water.

Yayoi Kusama (1929) is over 90 years old and has been living in a psychiatric institution since the 1970s. But none of this has stopped her from creating. Since she was a child, she has suffered from hallucinations and panic attacks, which she has learned to transform into creativity through obsession and repetition. She has built a career based on painting, sculpture, performance and installations, and is considered a pioneer of counterculture and one of the most sought-after artists in the world. Now, her eccentric gaze comes to the Guggenheim Museum Bilbao through the exhibition Yayoi Kusama: 1945 to now, and Lucía Agirre, curator of the show, rediscovers Japan's most prestigious contemporary artist.

Iberdrola's start-up programme, PERSEO, has facilitated a leap in the projection of Spanish company Green Management Technology (GreeMko), thanks to the opportunity to develop a pilot of its technological solution for carbon footprint measurement at the Mad Cool festival in Madrid in 2022.

The car, with its links to design, art, cities, technology and the future, is the protagonist of the exhibition Motion. Autos, Art, Architecture, inaugurated in April at the Guggenheim Museum of Bilbao. Its curator, the architect Norman Foster, one of the most renowned on the international scene, is a self-confessed lover of automobiles: he collects them, admires them, drives them and now exhibits them. As a result of this passion, the cars are presented in the exhibition as aesthetic works on wheels accompanied by related works of art, which in turn reflect on the past and the future.